Innovation: Better brain networking through the recognition of art 

Innovation of the series: art key for any form of art: Life + expansion of consciousness = art or old information + new information = evolution. 

Series name: Art Formula 

Working years of the series from: 1988 -  

Year of work: 1989 

Signature: Liedtke 

Material: Acrylic, canvas on stretcher 

Dimensions: 32 cm x 40 cm  

Will there be more social unrest in the medium term? 

What are people supposed to do in the future whose creativity has been suppressed by the state and its school system and machines, computers and ever-evolving programmes take over the permanently repetitive work?  

We have only one option if we do not want to sink into revolutions, wars of distribution and divisions of societies with backward-looking or right-wing ideals:  

• open up creativity with the art formula in schools and among the population,  
• Flag anxiety-producing, negative media information (such as tobacco products),  
• ensure a basic level of prosperity for all people. 

  

Research results show: Genetic and cognitive abilities are inherent in every human being to revive their genius. The average IQ in populations will rise again. 

The effect of the revival of the genius abilities of the human being becomes apparent within three to six months.  

Politicians still believe (despite experience with the internet and social media to the contrary) that too much creativity in the population will throw the state (or politicians) into chaos.  

That is not true. The opposite is the case.  

States and companies are prospering with a future power that was previously unknown, as we can see, for example, in the internet companies. This can frighten those who think in the old school system and lead to closures. To the new-thinking person, it brings joy and opens up the future. With a basic income, people will only take on work that they see as pleasurable or meaningful. In Germany today, 5 million people already do voluntary work. Man's weekly working hours are decreasing, as we can see from the figures of the last 100 years. The state will have to move away from the companies being the controllers of working hours and the "tax collectors" for the workers and employees. New models of work will be developed that capture inclination, sense-making, working hours, education, current mental and physical state, accountability via shared metadata, and the privilege of working for the common good by allowing employees to regulate and allocate their own working hours as they see fit. Here, too, online companies can already draw on experience. Work becomes a hobby and a reward. The first approaches to this are the NWoW - New World of Work or New Way of Working. 

The art formula is introduced in the school curriculum. The Constitution or Basic Law guarantees creative protection and includes the right to be schooled with the art formula as well as that negative brain-injurious IQ reducing media information, films, photos and games must be marked and not mixed with normal information as articles in the Constitution or Basic Law.  

The new popular sport is called inventing, making art and developing new better sustainable and ethical concepts for today and tomorrow. Be creative, become creators and live a meaningful life and materialise positive ideas and bring them into the world. 

From personal experience  

After I proved the graphic art formula as an innovation code in art history and science in 1988, I developed new exciting formats (TV, print and radio) with the art formula for the media from 1989 to 1993 in order to make the formula known to the public for increasing creativity as well as to prepare us for the new, foreseeable time of ever more rapid developments of innovations in the world and to unlock the genetically existing, selective perception for innovations in the brain networks of the population, simply and permanently epigenetically; 

1. Treasure hunt - artwork search at flea markets with the art formula 
2. 1,000 works of art history and their innovations, 
3. Shining stars -The presentation of innovations in the works of young artists. 

  

After finding that the media blocked the art formula for reports and also did not want to publish it with the new formats, I made the decision to decode a large art exhibition with 1,000 original works of visual art with the formula and to carry it out across different art epochs with works of music and literature to document the validity of the formula for all artworks, arts and art movements.  

With the privately organised and particularly large exhibition, the simple plain innovation formula, which every eight-year-old understands, was to be presented to the public globally with internationally known patrons. At the time, I was under the mistaken impression that the exhibition could no longer prevent the introduction of the art formula.  

From 1994 onwards, I organised the art exhibition "art open" on 23,000 square metres with more than 1,000 original works of art. As patrons, I familiarised a German minister, the former president of Russia and the Spanish queen as well as responsible directors of museums and collections from Russia, Poland, Spain, Sweden, France and Germany with the art formula and convinced them of its correctness. The museums gave me free loans of works by great masters of the visual arts. Among them were Dali, Picasso, Rubens, El Greco, Beuys, Malevich, Kandinsky and complete major exhibitions of the Stone Age, Voodoo art, the Russian Middle Ages, 19th century art as well as works by Christo, Giger and Ernst Fuchs, in order to explain the art formula with these works in the exhibition "art open - art from the Stone Age to today" and to present its general validity across all periods and art movements to the public. 

The "art open" was the first art exhibition in the world that spanned different epochs in terms of content and could explain the works with just one formula.  

The works of art were documented by the art formula in their cultural innovation steps, resulting for the first time in a comprehensive evolution-oriented overall view of successive developments. Afterwards, it was unmistakably clear to visitors to the exhibition: art without innovation / evolution does not exist. Works without innovation are epigonal decoration.  

Unnoticed by the public, the formula has written cultural history. 

As a consultant I was able to work with:  

Prof. Niklas Luhmann 

Prof. Karl Ruhrberg 

Prof. Dr Franz Müller-Heuser 

Prof. Dr Harald Szeemann 

Prof. Dr Manfred Schrey 

Prof. Dr Friedemann Schrenk 

I was able to win over a number of academically and socially established experts. I was also able to convince other museum directors of the art formula and win them over for the "art open" art exhibition. 

The exhibition opened on 10 July 1999 in the Essen exhibition halls.  

Visitors were admitted free of charge and the presentation/exhibition was  
open day and night  
- 24 hours a day.  

In discussions with the city of Essen, the demand was made in advance that an entrance fee of 20 DM per visitor should be charged if the exhibition were to continue to be set up. Only then could it be guaranteed that the support of the city would be maintained, which included on the one hand the financial side and on the other hand the assurance of a smooth operation, without obstructions or other disturbances or sanctions. I could not and would not agree to these conditions, since I had already rented the exhibition halls on the exhibition grounds with a total area of 23,000 square metres in 1996 for a fixed sum of 200,000 DM and the conditions for July 1999 as the opening date had been contractually agreed and planned with all sponsors and lenders of the works.  

In response to my rejection, there was a wave of false news and manipulative reporting within the region aimed at torpedoing the exhibition. 

Messe Essen GmbH (a company of the city of Essen) offered me to organise the "art open" as an annual exhibition project on behalf of the city with small changes (20 DM admission per person) and to postpone the first "art open" of 1999 by years into the future. Due to the existing contracts, a temporary relocation as well as charging 20 DM admission seemed unrealisable at the time. In March 1999, the city council then decided on a major extension to the exhibition halls of Messe Essen, which was started in the same month as the "art open" and dragged on for years. The rented exhibition halls were closed off with a board fence. The entrance to the exhibition was moved to a previously unknown hall entrance point. 

From my current point of view, a closure of the "art open" was already planned before the opening. Because the exhibition was already obstructed and sabotaged during the set-up. A bomb attack was threatened in case of the opening. The office of the exhibition management was broken into, the computers with the correspondence and plans were stolen. The sponsors' mail did not reach the organising office.  

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